I’ve had a fondness for H.P. Lovecraft since I was thirteen, when I first read a handful of his weird tales from a Del Ray paperback I bought off a drug store bookrack back in 1984. But even before I read anything he wrote, I had stumbled across his influence two years before.
Most editions of Beelzebub’s Tales to His Grandson have been long out of print. Others were mass-produced on non-acid-free paper and are aging poorly. Still another edition drastically altered the original text. And most are set in very small type.
The Solis Scriptorium Enlarged Print Edition of Beelzebub’s Tales to His Grandson is printed on-demand to ensure that Mr. Gurdjieff’s magnum opus remains in circulation. The books are printed on acid-free paper for longevity. The original text of the 1950 edition has been retained with the exception of widely accepted errata. And this edition is set in enlarged print.
The enlarged print edition was designed to assist readers with visual impairment, and for easier reading in general.
“A ‘sin’ is something which is not necessary” – G.I. Gurdjieff
After seven months of running sessions of Beyond Thule (the placeholder name for this homebrew), I’ve begun to notice what is necessary and what is unnecessary. Continue reading
“If you have not by nature a critical mind, your staying here is useless.” – Study House aphorism
“I ask you to believe nothing that you cannot verify for yourself.” – Views from the Real World, p. 78
Verification is a foundational idea in Mr. Gurdjieff’s teaching: to believe nothing that you cannot verify for yourself. It is important to note that he does not say to disbelieve everything that you cannot verify, because disbelief is merely belief in a negative. That which we have not yet verified is neither believed nor disbelieved but should remain categorized as unverified.
Yet… we very often believe (or disbelieve) without verifying. Why?
Standard diseases in most roleplaying games are often quickly detected and easily cured with low-level spells. Pathfinder Unchained disease rules as well as the Horror Adventures disease rules can be useful for making more dangerous diseases. The following is an example of a disease that is more challenging and is especially suitable for investigative horror roleplaying games.
To understand, according to Mr. Gurdjieff, where games can go wrong, besides the previously mentioned depriving of children of time to play games or depriving oneself of work-rest balance, one must understand where humans can go wrong (and have gone wrong).
The same problems experienced in life are the same problems experienced in games, only on a smaller scale. This difference in scale can be used to one’s advantage—one can use games to learn about oneself and others to understand the basic problems of humanity in a limited and relatively safe environment. Some of these problems are detailed here in brief.
It is important when approaching Beelzebub’s Tales to adopt certain exegetical principles. For the sake of productive interpretation, it is useful to assume: 1) that Mr. Gurdjieff’s writings were composed from a higher reason than our own, and therefore, 2) every detail in the text has meaning; and so 3) because of its near-infinite meaning, we cannot know everything about the text, but 4) we can still draw practical teaching from it despite the limits of our own understanding; and 5) that the author can satisfactorily explain himself from his own writings.
In addition to these recommended exegetical principles, having a sense of proportion of the many ideas of the text in relation to each other and to the whole is also important—in other words, not distorting significant ideas into insignificant ones, and vice versa.
original photo credit: Martin Schmieder, Stuttgart
Recently, I read an excerpt from a new horror supplement for the most well-known roleplaying game in the world—you know the game. The excerpt was advice to players and game masters on how to play or run a horror roleplaying game, or any roleplaying game for that matter. I won’t rehash the advice—it can be found all over the internet. For players and game masters alike, it was bad advice. And rather than rehash why the advice was bad—as has already been pointed out by so many others—I’ll just offer the advice I follow when I run horror or other genres of roleplaying games.
Salem, MA Carnival Games. Credit: Toby McGuire
A survey of Mr. Gurdjieff’s writings revealed that games are mentioned many times: in ‘games’ played by the Greeks and Romans, in the English ‘sport’, in children’s games, in games played at French fairs, in games specified by name, including baccarat, roulette, snip-snap-snorum, chess, wrestling, and billiards.
Here we look briefly at what Mr. Gurdjieff wrote about children’s games and fair games, and their value in relation to the Work.